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One of America's foremost contemporary composers, professor of music at the University of California, Roger Sessions here discusses the musical experience of the composer, the performer, the listener. He believes this experience to be shared, on in which all three participants play vital roles, and in this book he speaks especially to the listener.Mr. Sessions finds that the artist-public relationships has been shifted to that of producer and consumer in big business. But his reply to his own question about a threat to the future of music is both a challenge and an expression of hope. A fascinating little book that will be read with pleasure by people at all levels of musical education.Originally published in 1950.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Music. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)

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Composition (Music) --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- History and criticism --- Composition

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muziekinstrumenten --- instrumentenleer --- Music --- middeleeuwen --- -Musical instruments --- Arts, Medieval --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Musical instruments. --- History and criticism. --- Musical instruments --- 78.23

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Music --- Musical instruments --- Musique --- Instruments de musique --- History and criticism --- Histoire et critique --- -Musical instruments --- -Instruments, Musical --- Organology (Music) --- Instrumental music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- -History and criticism --- -Instrumental music --- Instruments, Musical --- Musical instruments, African

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Music --- Radicalism --- Right and left (Political science) --- Social aspects --- Songs and music --- History and criticism --- 78.067.26 --- 329.14 <73> --- -Radicalism --- -Right and left (Political science) --- -#SBIB:309H142 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Left (Political science) --- Left and right (Political science) --- Right (Political science) --- Political science --- Extremism, Political --- Ideological extremism --- Political extremism --- Populaire muziek --- Socialistische partijen--Verenigde Staten van Amerika. VSA. USA --- -History and criticism --- Populaire muziek: functies, muziekgenres, historiek --- Social aspects. --- History and criticism. --- 329.14 <73> Socialistische partijen--Verenigde Staten van Amerika. VSA. USA --- 78.067.26 Populaire muziek --- Right and left (Political science). --- #SBIB:309H142 --- Music and society --- Songs and music&delete& --- Music - Social aspects --- Radicalism - Songs and music - History and criticism --- Radicalism - United States